9d831cffb3cc675c47b7a3735ad88971_8lky

Filters that influence the behavior of light.

Polarizers

Because of its versatility, a polarizer is considered by many professionals to be the single most essential filter. It reduces glare, minimizes reflections, saturates colors, deepens blue sky, enhances clouds, and penetrates haze.

The Filter Gallery

Polarizers are manufactured in two configurations: Linear and Circular.
A Linear polarizer transmits light in a straight (linear) pattern, while a circular polarizer transmits light in a cork-screw (circular) pattern.

A Circular polarizer is a linear polarizer with an additional layer of material known as a quarter-wave retarder plate. This plate causes light waves entering the polarizer to pass through in a corkscrew pattern, which in turn enables “beam-splitting” optical systems to deliver clear and accurate signals to the video tap.

A linear polarizer is not recommended with beam-splitting optical systems because it can cause color shifts, inconsistent visibility, incorrect readings, and various degrees of a blackout.

Gear-driven Pola Frames

A Gear-driven Pola Frame is a convenient and useful tool that enables camera professionals to “quickly” adjust the polarizer to its desired position without having to turn a stage of a matte box. It consists of a round polarizer in a mechanical housing, which is driven by one, two, or three interfacing gears which permit the polarizer to rotate by the touch of a finger. Pola frames are the same dimensions as a conventional filter tray and fit in all popular matte boxes.

Gear-driven pola frames are available from the Filter Gallery in several universal sizes: 4x4, 4.5x4.5, 4x5.650, 5.650 x5.650, 6.6x6.6, and an oversized 6.6x6.6 for the Optimo lens.

The Filter Gallery

Neutral Density Filters

glass_nd_r_a_q193
nd_women_scene_4t2i

ND filters are a series of accurate and additive degrees of neutral, which cut down on light without affecting color or contrast. Like polarizers, they provide several practical benefits:

  • They allow the high-speed film to be used during bright lighting conditions.

  • They enable camera professionals to throw distracting backgrounds out of focus without compromising the sharpness of the foreground subject.

  • They facilitate the use of wide apertures in bright lighting conditions.

  • They enable uneven lighting situations to be properly exposed through the use of a Graduated ND or an ND attenuator.

  • They can be combined with other filters and other NDs to achieve various effects.

ND filters are manufactured in two types: absorptive and reflective. The traditional or absorptive ND, which is gray in color and established by Kodak in the early stages of photography, works like most filters by “absorbing” light.

Reflective NDs are made from a mirror coating and “reflect” the light. The mirror coating, by virtue of not having any color, provides 100 % neutrality.

Keep in mind that absorptive NDs are not truly 100% gray.

In fact, gray is one of the most difficult colors to make because it contains a variety of colors.

Each filter manufacturer has its own recipe for achieving gray, each of which is manufactured to their respective standards of what they believe is proper gray.

NDs are available in solids, graduates, attenuators, center spots, and center clears, as shown in the following illustration.

nd_filter_range

Lens Protectors


cameraman-filter40_
uv_scene

There are two types of filters used to protect the front of a lens: optical flats and clear UVs.

Optical flats are supplied in laminate or solid glass.

The laminated flat is preferred when shooting commercial scenes, which may expose the lens to sand, grit, and small flying objects. Because the laminate is constructed with “two” pieces of glass sandwiched together, it permits the front piece to take the hit, while the rear piece shields the front element and keeps the shattered front piece intact.

A solid flat, usually treated with a hard anti-reflective coating, is more desirable when shooting scenes that require a higher quality light.

Clear UVs (solid glass) are generally made from water-white glass and include an ultra-violet inhibitor, which is essential for ENG and broadcast professionals, especially when they are shooting aerial photography and events that take place in bright seaside and landscape areas.

Clear UVs, for the most part, are screw-on filters and are available with single or multi-layer coating, both of which help maintain a strong contrast while reducing glare and reflections. Most professional screw-on filters are available in two profiles: standard and slim mount.

slim_profile_26zp (2)

Standard

slim_profile_26zp (1)

Slim Mount

The Filter Gallery